Catalog: Antiques: Decorative Art (119)

12.5" diameter and approx. 37 oz. Note light scratches on surfacxe and with original engraving removed. Shell and scrfoll border and with three scrolled feet. hallmarks are easily visible.

Hamilton & Inches, Edinburgh, 1894 In Georgian style, weighted. 9" high.

Unmarked. Comprising 11 dessert plates and the rest as illustrated. I would have to study this pattern to figure the factory that produced it. Circa 1830-50.

14" high. late 19th C and with transfer decoration. Gilded highlights.

Approx. 8 5/8" diameter, rich rid and gold ornament, good set of cabinet plates. One additional plate with wear thrown in.

16 3/4" high. wear to gilding only, Continental in origin or Bristol glass. and I think they are French.

Approx 10" high, having desirable hunt view with dogs. Condition appears to be good.

Approx 10" high. Good condition and with leaf motif. Likely Rockingham and not Bennington .

24.5" x 15" in a period frame, large format early sampler signed Sarah Waterworth and 1809.

Approx 10.5" x 9 1/4" x 6" high. 58.5 oz troy. Bearing engraved armorials. About the best piece of french silver I have ever owned and exists to actually be used.

Centerpiece decorative compote , 12.5" wide, 7.5" deep, 5.5" high. Note wear to gild highlights. Brilliant cobalt blue and with gild stars.

Assembled Set of Four Kings Pattern Sterling Silver Large Tablespoons Two spoons are made by Charlie Jacques and Frederick Bartholomew. The other two spoons are made by Mappin brothers. Date letter 1901. Exceptional quality, two pairs match great selling as an assembled set of four

9 1/4" diameter, 17.8 oz troy. Having engraved armorial, stiff leafage border. 1819-38 standard.

Having shell bowl and bottom marked with legible date letter but not maker. London, circa 1765.

Approx 27" x 52" mounted on a stretcher for easy hanging........

16" diamter with gilded highlights and chop mark on base.

Approx 11" wide. Good condition. Blue and white.

18.5" x 21.5" In what appears to be original frame and eglomise mat, signed by the young woman with stitched this extraordinary needlework picture, Mary Ann Earle.